1 Corinthians 11:3. Ephesians 5:22. If you’ve been anywhere near the arguments about complementarianism you’ll probably know what these verses say about women without having to look them up. Even if you don’t, you’ll definitely be familiar with what people have said they mean.
Several of my reads in 2017 were about the role and place of women. There were moments I was ready to write very long thank you letters to the authors; other times, I filled the margins with angry scribbles. Here are some short reviews of:
The Rise and Fall of the Complementarian Doctrine of the Trinity
From theology to anthropology to fiction, these are my books of 2017. I didn’t like all of them, and I didn’t read all of them from cover to cover. But in this post (and the next three), I’ll share some thoughts on what I made of them.
The number one spot belongs to The Twilight of Cutting and it warrants a full blog post in its own right.
Written by a Bosnian woman who works as an Assistant Professor of Anthropology and Feminist, Gender and Sexuality Studies at Cornell University, it is a stunning study of the complexities of discourses surrounding female genital mutilation (FGM), which is also known as ‘cutting’.
I just remembered that I can reblog from other sites. So, here is part 2 of the modesty series I’ve been writing for Ezer Rising.
by Christine Woolgar It might have escaped your notice, but Hogwarts has a dress code. In having a uniform, Hogwarts’ follows mainstream practice in UK primary and secondary schools (that is, those for pupils up to the age of 16). Uniforms certainly differ, but regardless of how a school is funded, they all have […]
So… the fabulous Sierra White has asked me to share some thoughts on modesty for her Facebook page Ezer Rising (and blog: Ezer Rising), which (if you didn’t know) is committed to sharing content about women’s equality from a Christian perspective.
First thing I’ll say is that I’m going to approach modesty in a way that I haven’t seen done elsewhere. Not because other ways are necessarily wrong or flawed, but because different ways of looking at things work for different people. And sometimes a different perspective can help us appreciate things that we hadn’t seen before.
For the Christians reading this, this also means I’m not going to start with Bible passages to make my case. I love the Bible, but if we start with a question like “What does the Bible say about modesty?” then it’s very easy to look for the word “modesty” and find ourselves constrained to considering only a few passages. Instead of doing that, I’ll step back and ask “What is modesty?” You can then go away and weigh my ideas against what you find in the Bible. (Or not, if the Bible isn’t really your book.)
The release of the live-action Beauty and the Beast is barely a few days away. If you’ve read any of my series comparing the 1991 release with Fifty Shades, you’ll know that I consider the animated Beauty and the Beast to be a masterpiece of story-telling that speaks powerfully and truthfully about redemption. However, this means I’m very nervous that I’ll be monumentally disappointed by the new version.
So far, I’ve managed to see two different trailers for it in the cinema. (This has never happened to me before; and it only happened this time because Hidden Figures and TheLego Batman Movie were just too appealing to miss.) Even though Disney are using all the same colours from the 1991 animated film, and they’re reusing the music, and, and, and… it’s already clear they’re making a lot of changes. And I’m not sure I’m happy with them.
The wardrobe’s line about how “the Master’s not so bad once you get to know him” has been given to Mrs Potts. Mrs Potts’ face is at the side of the teapot instead of at the front.
Why? Why did they do this?
The change that really grates is the fact that Maurice is imprisoned for stealing a rose and not because he comes to the castle searching for shelter. I can make some guesses about the reasons for this, and I’ll save judgement until I actually have a chance to see the 2017 version, but I’m frustrated that we’ve lost the parallel that Maurice had with the old woman seeking shelter right at the start. I just… sigh.
It wasn’t as bustling or as glitz as the Fifty Shades of Grey premiere two years ago. There weren’t as many presenters and DJs to whip up the crowd; there weren’t as many fans; and there wasn’t as much press. But there were enough.
We were outside the Odeon cinema in Leicester Square, London. The waist-high metal railings had been carefully placed to allow space for fans, space for VIP vehicles and narrow passages at the side for the general public to mill past. The fans who had got there early were already inside enclosed areas while the security detail urged people outside the railings to move on if they didn’t have tickets. Every now and then, you’d see one or two people together dressed in very expensive outfits and you know they actually had tickets to go inside and see the film. Everyone else was wrapped up in gloves, coats and scarves – it being February after all.
“You are exquisite, honest, warm, strong, witty, beguilingly innocent; the list is endless. I’m in awe of you.”
— Christian, Fifty Shades Darker, p36
The need for outside help
In a redemption narrative, the person who is redeemed cannot redeem themselves on their own. They need a redeemer.
That isn’t to say that the person being redeemed doesn’t do anything to aid their redemption – quite the opposite. But what it does mean is that if it weren’t for the help of someone else stepping into their darkness and bringing them out of it, they would not have been saved.
In this post I want to compare Christian’s need for Ana with Beast’s need for Belle.
If you’re unfamiliar with Fifty Shades, and need a brief introduction, try my bare basics page. If you’re new to this blog I’ve written separately on why I write about Fifty Shades and you can find the introduction to this series here.
OK, I want to throw my two cents in when it comes to the portrayal of sex in the film of 50 Shades of Grey. This is partly in response to the rather sarcastic indictment of the film offered by the Honest trailer for it (here if you’re interested), in that the “steamy action” includes contracts, negotiation, clauses, conditions, emails, texting, non-disclosure agreements…Continue reading About the “steamy action” in 50-Shades-the-film→
I was musing about what songs or theme tunes would fit Ana and Christian and had an unexpected creative burst. You need to imagine this to the tune of the Spice Girls’ song Wannabe. At some point I’ll see if I can’t add audio and visuals, but for now, picture Ana reading the BDSM contract and singing this… Content note: The dark streaks in this are not unintentional. I guess that’s my way of saying you might find this disturbing and not funny. And yes, it is disturbing because, well let’s face it, Christian’s behaviour is disturbing – as are Ana’s attitudes towards him and herself!Continue reading 50 Shades of Wannabe→
You don’t need to go very far to find people arguing that the relationship dynamic in 50 Shades is abusive… and when you find them you’re likely to find someone else saying “It’s not abuse, it’s BDSM.” This essay by Jenny Trout gives her reasons on why she believes 50 Shades is harmful to the image of BDSM and why she doesn’t want people to use 50 Shades to defend her personal choices. Dear 50 Shades fan: BDSM doesn’t need or want your defense. Content note: this has colourful language and some explicit content. Heed the content note she puts at the top of the essay.
Did you find this by clicking on a ping back from Jenny’s blog? You might be interested in:
this post I wrote analysing the discipline Christian gives Ana in the last chapter of 50 Shades of Grey, or
Laci Green is a self-described sex education activist. She’s pro-BDSM and pro-erotica, but in this short YouTube video she gives her reasons why she finds the books of 50 Shades problematic in their portrayal of relationships and BDSM. Continue reading Laci Green on 50 Shades→