John MacArthur was recently asked what he thought of Beth Moore. In addition to telling her to ‘go home’, he said: “There’s no case that can be made biblically for a woman preacher – period – paragraph – end of discussion.” (Video here.)
What I blog about and what I want to blog about, do not always align.
The Old Testament laws on sex, adultery and rape, particularly those in Deuteronomy 22:13-29, are a sensitive topic to say the least. Whenever I find an angle to write about, my inner caution tends to apply the brakes before my enthusiasm gets to the point of posting.
It’s not that this is a topic to be enthusiastic about, per se. It’s just that, in the last few years, the biblical scholarship I’ve read on these passages has absolutely blown my mind. And the more feminist literature I read (currently working through Jessica Valenti’s The Purity Myth), the more I believe the church needs to re-evaluate its relationship with these verses. Because although these verses are steeped in patriarchy, I’ve come to believe that there’s a lot of good stuff that they can teach us today.
This is the second of a pair of posts about Good Omens. I’ll start with a quick recap of where I got to in the previous one, and don’t worry, this post is half the length of its predecessor.
There was this bit:
We should appreciate then that the story is about misfits trying to change the establishment, far more than any modern concepts of witchcraft. In fact, all the heroes, by their very nature and identity, transgress the bounds of acceptability in one way or another.
And this bit:
The question for critics, if they can concede that Good Omens is a good piece of storytelling, is whether its transgressive core is against Christian belief. Because let’s face it: disobedience, mischief and rebellion aren’t exactly renowned Christian virtues.
It’s easy to guffaw when a bunch of anxious conservative Christians launch a petition calling for Netflix to cancel a popular show. Especially when that show, the recent adaptation of Terry Pratchett’s and Neil Gaiman’s book Good Omens, was actually a joint work from Amazon and the BBC.
But if we can reasonably assume that these concerns will persist even in the face of Netflix’s promise not to make any more, let’s ask the question in all seriousness: does the show make Satanism ‘appear normal, light and acceptable’? Does it mock God’s wisdom?