Page from Luke 15 where Jesus tells the parable of the lost son. Text over the top: I wrote a play about the prodigal son's mother, step-mother and half-brother. Wanna read it?

I wrote a two-act stage-play about the prodigal son’s mother, step-mother and half-brother. Wanna read it?

People have asked about the prodigal son’s mother, but I’ve never heard anyone ask what Jesus’s parable would look like if the two sons had different mothers. But that’s what I’ve done in this play.

I believe Jesus told this parable to deliberately target honour violence. Compare it, for example, with Deuteronomy 21:18–21, the law of the “stubborn and rebellious son.” It has a very different ending.

What’s more, if you look it up, you’ll see that just before that law there’s another one about a father dividing his property between two sons. Except in Deuteronomy 21:15–17, the sons have different mothers. 

That was my hook.

“Look here!” he said to his father, “I’ve been slaving for you all these years! I’ve never disobeyed a single commandment of yours. And you never even gave me a young goat so I could have a party with my friends.”
Luke 15:29 (NTE)

What if the older son’s mother was a slave and the younger son’s mother free-born? What if the younger son resented not having the rights of the first born? What if that caused the split? 

The play is titled Two Wives and Two Sons. It alludes to the stories of Sarah, Hagar, Rachel, Leah and Bilhah, as well as other parables that Jesus told—but the play is its own story and has its own ending. 

If you would like to read it, please get in touch. 

Short synopsis:

Two Wives and Two Sons is the story of a wealthy polygamous family in the Ancient Near East where pride, greed and resentment give way to humility, forgiveness and compersion.*

(* Urban dictionary: A feeling of joy when a loved one invests in and takes pleasure from another romantic or sexual relationship.)

Genre:

Two-act drama that includes one song. 

It’s oriented around a female perspective and biblically grounded, and borrows heavily from the norms of the Ancient Near East, including polygamy and natalism. By the end of the play, the marriage is functionally polyamorous. 

It has the even-tempered, conversation-driven style of Disobedience, and the compassion and feel-good ending of Monsoon Wedding (though it’s not a comedy). Like both these stories, the play says much about overcoming pride and removing stigma and shame. 

Whilst the play expands heavily on the parable of the prodigal son, it stays close to the parable in that it doesn’t miss out or change anything of substance. 

Actors:

Two female, three male.

Characters are:

  • BLESSING: A man of some wealth who lives in the Ancient Near East. Aged in his fifties though could be slightly younger.
  • JADE: Blessing’s wife, from a respected family. Probably aged in her late forties. 
  • LILY: Blessing’s second wife, a slave with no family. Aged in her early forties.
  • DUTY: Lily’s only son and the eldest child born to Blessing. Age: ~18.
  • HONOUR: Jade’s only son and the youngest child born to Blessing. Age: ~16.

Blessing, Jade and Duty are all singing parts. 

Length:

Excluding introductory notes: 11,350 words, 46 pages at standard UK stage-play formatting.

Advisory warning:

Includes references to: slavery, patriarchy, honour-violence, incest, suicide.

So, are you interested in reading and/or performing this play?

If so, I’d love to hear from you. Please fill in the contact form below or message me via:

If you’d like a taster of my writing style, you can read some of my shorter theatre pieces:

I look forward to hearing from you!


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    Photo by Tim Wildsmith on Unsplash

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