Historically, I’ve not been one to put much store in icons of saints. Coming from a Protestant background, visual images of “holy people” seem more like an idolatrous waste of time – and why bother with the saints anyway when we have Jesus? The other week though, my breath was caught by an icon of Paul. He was holding his letters, on which was a small image of St Paul’s Cathedral, and a Huia bird sat on his shoulder. In that moment, my heart ached like I had just discovered a happy photograph of a much beloved grandparent who had passed away years ago.
My reaction was no doubt informed by the fact that I’d recently read an essay that discussed how people can relate to historical figures by seeking to embody that person’s values. Given how much Paul has been in my thinking in recent months, and how much I have grown to admire him, it meant something to me to see a face that was his face. I now had more than just letters; I had an image.
You bet I watched the royal wedding last Saturday! And I loved it.
I’ll admit, if I’d heard the words of Michael Curry’s sermon on your average Sunday morning, from your average preacher with your average congregation, I’d have been underwhelmed.
As it is, I’m giggling a little inside. It’s the thought of “I can’t believe he just got away with that.” A black American, an LGBT+ affirming Episcopalian, came into a traditionally white, elitist, patriarchal institution and said we’ve all got to love each other – and if we do that, we’ll change the world.
Everyone in the room had to shut up and listen. (Tee hee.)
And he was broadcast to over 1 billion people.
But it’s more than just the numbers. By speaking, this man carried representation for his nation, for people of colour and for people groups he campaigns for. It meant he was not just speaking his message – he was embodying it too.
And having a rip-roaringly fun time whilst he was at it!
He has certainly had an impact. Everyone has been buzzing about him and even some celebrities who are hardly Christian and not exactly people I admire (Piers Morgan, for example) are applauding him on Twitter. Curry has succeeded in showing who God truly is, in a way that people could see and understand and delight in.
Stop letting people who do so little for you control so much of your mind, feelings and emotions.
– Will Smith
It came at a timely moment. Around lunchtime today I left a comment on a Facebook post written by a woman I highly respect. I’d invested a lot in what I said. It’s now gone 9pm and there’s no response. I also saw another Facebook post this afternoon asking a great question and I commented on that too investing my creative energy and thought process again. Again, no response. I saw some great tweets and retweeted them on Twitter. Nothing.
Having a job where the boss of the adjacent department is someone who discriminated against you (and you’ve never received an apology).
Being amongst extended family members who habitually crack jokes that demean an aspect of your identity (and you’re never sure how serious the jokes are).
Attending a church where the pastor has systematically tried to silence your voice.
Being in an online forum where its leader states repeatedly and categorically that an experience of yours did not, and does not, happen.
They’re pretty uncomfortable scenarios. The question is: what do you do with them?
At work, my boss is someone who is streets ahead of me in terms of professional experience, organisational nous and interpersonal savvy. I can barely begin to go into how much I’ve learned from him. When it comes to music though, it’s the other way round. Aged in his fifties, he’s struggling through his grade 3 guitar exam, whereas I had grade 8 piano when I was fourteen. It makes for some interesting conversations.
Recently he described how his teacher had been telling him that part of the art of being a performer is learning how to handle an uncomfortable environment. What do you achieve if you go into the room and the lighting is a bit off and someone’s looking at you awkwardly and you say you just can’t play?
Good Friday is a day that almost doesn’t need anyone to preach on it – the story speaks for itself. As I was flicking through passion hymns in the book my church uses, I found one I hadn’t heard before by Vicky Beeching called “O Precious Sight”. The last verse is about resurrection, but if you leave it out and just contemplate the first three verses, there is so much there.
So I recorded a cover version and made a video set to photos I’d taken on various travels. It’s not perfect – the photos aren’t all in perfect focus, my singing has room for improvement and I’ve discovered glitches iMovie that means the video flickers in a couple of places. (Sigh.) Nonetheless, I offer this short video for those contemplating Jesus’ cross and the salvation it means for us.Continue reading O Precious Sight (by Vicky Beeching) – a contemplative video for Good Friday→
“What would you say your favourite series of films, books or TV shows would be?” my husband asked.
I kept my eyes on the motorway as I waited for our passenger in the back seat to answer. The evening was quickly passing from dusk into night and I was conscious of the headlights of other cars as they came flickering into my vision. It was nothing I wasn’t used to, just now I was more conscious of it. That’s what happens when a friend with epilepsy comes to stay for a week.
“Wait,” I asked, “were you talking to me?” Indeed he had been.
So what was my favourite series? The obvious candidates came to mind: Lord of the Rings, Babylon 5, Harry Potter. Except that I’d grown tired of the LOTR films and wasn’t familiar enough with the books to name it as my greatest fandom. I had much respect for J Michael Straczinsky’s Babylon 5, but it wasn’t something that I could immerse myself in again and again.
Was I going to say that Harry Potter was my greatest fandom? After all, we were driving back from Warner Studios in Watford. Day trips to the set of Harry Potter don’t exactly happen by accident.
“Actually, I think it would probably have to be the anime series Ghost in the Shell: Standalone Complex. The thing about it,” I said, “is that it shows me concepts, images and stories, important ones, that I’ve found nowhere else. Not even in HarryPotter.”
Grief and lament spring from the deepest parts of our soul because, however bitter the herbs and fruits they seem to bear, their real root is Love and I believe that it is Love who made the world and made us who we are. – Malcolm Guite
So, the last year I’ve spent an afternoon a week helping women who are experiencing domestic abuse of one form or another. When I first saw the advert, I jumped at the chance. I wanted that frontline experience in a structured context, where I’d be supervised and trained; where I’d be able to reach far more people than I would on my own – and provide much more effective help.
I was asked to put in a year’s commitment. I had no problem with that. Things were generally static and stable at both work and home, so I had the capacity.
Thing is, over the last few weeks, all I’ve wanted to do more than anything else is finish my one year stint, take my reference and go. Next week will be my last session.
I got home tired. My temp job was uncomfortably far from where I lived, and I hated the travel. I was in my early twenties having moved away from home a few months previously; meanwhile, I was living on my own, trying to land myself a permanent job, and manage the sky-high rent I was paying.
And you have to understand, the rent really was sky-high for a single person. Because the original plan was that I’d share the property with my best friend. Except, her efforts to land a job had been met with even less success than mine. So it didn’t happen. Later, once the minimum time was up on the tenancy, I moved into something more affordable. (Also met two fabulous friends in the process, so not complaining there.)
So yes, I got home tired. I put the light on. I put my stuff down. I went through to the living room. I came back into the kitchen. And then… I noticed something had moved. I can’t remember what exactly what it was, but a cold feeling came over me as I realised someone had been in the house. What had they done? What had they taken? What if they’d taken the landlord’s stuff?
Then I noticed all the dirty washing up was now clean and stacked neatly on the draining board.
If you’ve spent time on Facebook or other social media, you’ve probably seen one of those alerts telling you that a friend has changed their profile picture. You may also have noticed that some friends never seem to change their picture – and others seem to change it every week.
It wasn’t as bustling or as glitz as the Fifty Shades of Grey premiere two years ago. There weren’t as many presenters and DJs to whip up the crowd; there weren’t as many fans; and there wasn’t as much press. But there were enough.
We were outside the Odeon cinema in Leicester Square, London. The waist-high metal railings had been carefully placed to allow space for fans, space for VIP vehicles and narrow passages at the side for the general public to mill past. The fans who had got there early were already inside enclosed areas while the security detail urged people outside the railings to move on if they didn’t have tickets. Every now and then, you’d see one or two people together dressed in very expensive outfits and you know they actually had tickets to go inside and see the film. Everyone else was wrapped up in gloves, coats and scarves – it being February after all.
“How do you know me?” Nathanael asked. Jesus answered, “I saw you while you were still under the fig tree before Philip called you.” John 1:48 (NIV)
In recent months I’ve listened to people talk about the destructive relationships that they’ve left, whether that was with their partners or their churches. In some of them, there was a realisation that the person or religion they thought they knew and had fallen in love with, was never there at all. It left them with a cold, shaky, uncertain feeling.
Recently the BBC showed the film Shine. It portrays the true story of a pianist David Helfgott, including the emotionally abusive relationship his father had towards him, how he had a breakdown, and how later in his life he came to be able to take to the stage again.
I first saw this film not long after it was made in 1996; at that time I was a teenager. I was wrapped in piano lessons, music theory and even a placement at the Royal College of Music. If you haven’t heard of it, it’s one of the most prestigious classical music institutions in the UK. And it’s where David Helfgott studied. So yes, I was doing the whole studying classical music thing, because I was young and perceived as gifted. Plus I had enough people around me to claw for the money to make it happen.
I don’t think I understood the film when I saw it. But seeing it twenty years later has dredged up all kinds of emotions and thoughts.