“Breathe in the good s***, breathe out the bulls***.”
As I told a friend I was going to hear Nadia Bolz-Weber speak, he said she was the only person he’d ever heard swear in St Paul’s Cathedral. She’s probably also the only person people have heard swear in Southwark Cathedral too – which is where I heard her speak about her recent book “Shameless.” Trust me, when I use asterisks in this post, you can be sure that she didn’t.
For those who don’t know, Nadia is a rather unconventional Lutheran pastor. She was the founding pastor of a congregation called “House for All Sinners and Saints” and she’s gone on record saying that ethically-sourced porn is OK. Her Twitter handle is @sarcasticluther and she puts “SHAMELESS af” after her name.
This is a short story / sketch based on the events recorded in Luke 2:41-50. It is told from Mary’s point of view. You can read it and/or listen to me reading it here; to save the mp3 file (~15MB), right click on the audio and use “Save As..”):
We went to Jerusalem again this year to celebrate Passover. It was the third time we’ve been able to do so since Joseph and I returned to Galilee, but still it conjured so many emotions for me.
On the one hand it was good to be amongst family and friends, walking with them and seeing the children play together. On the other hand it reminded me of all that I missed during the years we were in Egypt. I heard the young mothers asking questions of the older women, receiving good advice and homely encouragement. It stung to be reminded how I didn’t have that community and I tried so hard not to begrudge them.
This poem draws on the story of David and Bathsheba, which is detailed in 2 Samuel chapters 11 and 12. A commentary on the poem, what inspired me to write it, and what I’m trying to say with it, is available here.
Good Friday is a day that almost doesn’t need anyone to preach on it – the story speaks for itself. As I was flicking through passion hymns in the book my church uses, I found one I hadn’t heard before by Vicky Beeching called “O Precious Sight”. The last verse is about resurrection, but if you leave it out and just contemplate the first three verses, there is so much there.
So I recorded a cover version and made a video set to photos I’d taken on various travels. It’s not perfect – the photos aren’t all in perfect focus, my singing has room for improvement and I’ve discovered glitches iMovie that means the video flickers in a couple of places. (Sigh.) Nonetheless, I offer this short video for those contemplating Jesus’ cross and the salvation it means for us.Continue reading O Precious Sight (by Vicky Beeching) – a contemplative video for Good Friday→
I don’t want to write a long commentary on this poem, but I will say that as I wrote it, I was reminded of C.S. Lewis’ sermon The Weight of Glory (bold emphasis is mine):
It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest and most uninteresting person you talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship, or else a horror and a corruption such as you now meet, if at all, only in a nightmare. All day long we are, in some degree, helping each other to one or other of these destinations. It is in the light of these overwhelming possibilities, it is with the awe and the circumspection proper to them, that we should conduct all our dealings with one another, all friendships, all loves, all play, all politics. There are no ordinary people.
It felt fitting to have the image of steps leading into light as the setting for this poem – the sense of journey and pending entry. But there’s an added layer too: the picture is one I took in a stairwell at Manorbier Castle in Pembrokeshire, which was used in the 1988 BBC adaptation of Lewis’ The Chronicles of Narnia: The Lion, The Witch and the Wardrobe (and which I loved watching when I was growing up). This castle is Cair Paravel, where – in another life, perhaps not so far from our own – Peter, Susan, Edmund and Lucy were crowned kings and queens.
I was tasked with writing a prayer of adoration for Pentecost – and came up with these ways of describing the Holy Spirit. For a while afterwards I wanted to put them to a picture, though it’s hard to find images for the Holy Spirit that do justice to this wonderful person of the Trinity.
Imagine my delight then, when I was able to photograph a lectern hanging, whilst visiting a small Methodist church in the village of Milton (Oxfordshire, UK).
I was contemplating what it must have been like for Elizabeth the mother of John the Baptist. She went through childbirth in her old age, knowing she would not live see her son minister and having to wrestle with the religious and political tensions of her culture. It can’t have been easy. This is an imagined letter written from Elizabeth to Mary (her cousin and the mother of Jesus), inspired by the events told in Luke’s gospel chapter 1, verses 5-25 and 57-80.
Elizabeth, a delighted mother whom God has mercifully remembered in her old age,
To Mary, my dear cousin and blessed mother to be,
Peace be with you.
It seems but a day since you returned to Galilee, and yet I know it has already been some three months. Please forgive me for taking so long to write to you.
When the time came, John was born with mercifully little difficulty. As much as I was overjoyed to know that I would bear a child, and that I could be certain of this because the message had come from an angel of God no less, I have not always had confidence in this promise. I have had to entrust myself to God’s faithfulness each and every day that my frail body would have the strength to carry and deliver this little life into the world. But now it is done and he is here.